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Walter Thomas Rogers. A Manual of Bibliography. London: H. Grevel & Co., 1891 ( p. 95)
Although a nineteenth century fine binding should operate as Rogers describes, many earlier books were rebound at the time and forced into this style of binding; not a good thing for a parchment manuscript, for example. However, this ideal in binding is quite difficult (impossible?) to achieve, since the binder generally does not have control over important variables such as leaf size, drape, thickness, and number in each signature.
In fact, I’m not sure if I’ve ever experienced a “good” binding such as this. While the technical aspects of craft were high, the quality of materials was generally low. Possibly one of the most interesting aspects in making historical models is an attempt to understand and recreate book movement from various time periods. This is somewhat speculative since many of the details of…
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The perfect soft cover book
So What will the definition be of the perfect book. That will depend on who you ask I suppose. But My answer will be a book that has a square back, lays flat open, doesnt fall apart and trimmed to perfection